In response to the artist Dame Tracey Emin's answer during this interview (watch the clip on Instagram here): Yes she's right up to a point. It's true that:
1) an artist doesn't have to suffer emotionally in order to make art. For instance, my Face2Face Lesbians artwork series is autobiografictional, so it is based on personal experience but not based on any type of suffering I've experienced within a lesbian relationship. So art can come from positive life experiences too, it's not restricted to just suffering. And the positive message in my Face2Face Lesbians artwork is an essential part of the conceptual aspect of the art series: Lesbian relationships are just as romantic, positive and 'normal' as heterosexual ones. In that sense, it's relatable and an uplifting message for lesbians and lesbian couples around the world. It busts various depressing myths about all lesbians.
Where I have depicted negative personal experiences of suffering homophobia and genderphobia from people within that art series, for example, in my 'IDAHOBIT: Our Bodies Our Lives, Our Rights' (May 2022 view it here), I've placed it within my positive life experience of being able to share experiences of such discrimination within my safe, empathetic, supportive relationship with a woman.
It's also true that:
2) Viewers can like art they empathise with and that speaks to their own personal experiences.
I think that's especially true of autobiographical art. Although I have noticed that some people dislike art that reminds them of their own personal difficulties or trauma, preferring to relax and lift their spirits by escaping them through enjoying more lighthearted, happy aesthetic experiences that don't resemble anything with which they personally identify.
However, when people are drawn to aesthetic experiences which depict negative life experiences they have experienced themselves, I suggest that their enjoyment of it is more about catharsis than empathy. The latter strictly speaking requires people to imaginatively and emotionally put themselves in someone else's shoes, enter into their mind and emotions, so they can imaginatively feel their way into how another person feels.
Hence, I argue that empathy has the ability to bridge the solipsistic gap between different individuals' minds, thoughts and emotions.
People can empathise even if they haven't had a similar experience.
I didn't have Tracey's experiences but that didn't prevent me from liking her BritArt, her early autobiographical art. I went to an exhibition of her work at the White Cube (as well as other exhibitions of her art) and it made a deep impression on me which still lives on. It also inspired me later to cross-apply my philosophy research on empathy to the role of empathy in aesthetics, art, including BritArt and Shock Art, where empathy can be either encouraged or blocked depending on the style of the artwork. (For my abstract on this see here on my academia.edu profile.)
But there's no overlap between myself and Emin other than we identify as artists.
I empathise, for example, with Frida Kahlo's works of art which are very impressive in a gallery partly because of their sheer size but I don't identify with her life experiences or even her overall identity which wasn't just Jewish. That doesn't mean I have never suffered at all in my life, nearly everyone has, but just not in the same way or to the same extent as Kahlo. So there's no overlap. The only overlap is identifying as artists.
I empathised with Dolly Parton and the extreme poverty she grew up in living in the smoky mountains as one of 12 children in a tiny mountain hut but I can't identify with that. She had holes in her shoes while I grew up with perfectly fitted start-rite shoes. But that didn't prevent me from empathising with her and loving her songs. Furthermore, I didn't identify with the way she presented herself but it was Dolly, the kind-hearted, musically gifted, entrepreneurial woman that struck a chord within me not her glamorous feminine persona.
I remember years back now when Anthony Price, during one of my supervisions with him on my dissertation on Empathy in Hume's philosophy (available to read here) asking me whether a Christian can empathise with a Jew about the Holocaust.
I said yes!
So suppose a Holocaust survivor is talking about their immense suffering in a concentration camp, would listeners without that experience empathise and understand what the person went through?
Absolutely!
I went to the Freud Museum to listen to the story of a Holocaust survivor. It was a horrific story. I was moved to tears by her story, and it motivated me to vocally stand by Jews, Israel, and to fight Antisemitism. It also motivated me to extend my empathy dissertation to the Holocaust especially after being deeply moved by an event held at the Wigmore Hall to commemorate the Holocaust.
So yes people love art and stories that help them with their own experiences but it's also vital that people empathise with those whose experiences are outside of their own.
And even those who have had an easy life hopefully empathise with those who have had a tough one.
Thus empathy is a cornerstone of an ethical, humane society. Hence I expanded my empathy research into political and social philosophy (see here) and my larger, ongoing cross-disciplinary research project (project outline available here).
I think I'm right in saying that about 100 millionaires have pledged money since Burnham became PM. That's empathy! That in itself would help Burnham's homelessness project. And it shows that wealth in itself doesn't act as an empathy blocker, or make people selfish. It is more dependent on the wealthy person's capacity for empathy, irrespective of whether they have lived experience of poverty themselves at some point in their lives or not.


